野村版的波洛實(shí)在是太浮夸?？丛臅r(shí)候覺得阿婆牛逼無比，重看覺得有bug…詭計(jì)是蓄謀已久的，但是殺人的時(shí)機(jī)卻是突然出現(xiàn)的，怎么能在不知道今晚就會殺人的情況下提前準(zhǔn)備好一切呢？特意回去查了原著發(fā)現(xiàn)書里也是這么寫的…

這八百里黃泉再無孟婆。小天每一次的故事立意都讓人驚喜，在孟婆的地界砸孟婆的場子，在忘記的時(shí)刻記得所有的回憶。像最后斷情日升起的孔明燈，有你的逍遙哥哥，有他的雨荷。

Body horror is the metaphor for visual pleasure. A critical reflection on where our species are heading if giving no limit to our exploitation of pleasure. However the film itself didn’t escape the fate of being part of the process, and me as the audience who already sat down, had no option of rejecting my role as the consumer of such content.